![Slipknot psychosocial baby](https://kumkoniak.com/45.jpg)
![slipknot psychosocial baby slipknot psychosocial baby](https://www.langweiledich.net/wp-content/uploads/2015/03/0766.jpg)
"I know Justin wasn't responsible for it, but I just thought it was so cool. He's a very talented kid and he goes above and beyond for his fans. Taylor also told Revlover how pleased he was with then online mash-up and how much respect he had for the pop idol. You can't say anything bad about a guy who's visiting children's hospitals." "But he was actually visiting a children's hospital.
![slipknot psychosocial baby slipknot psychosocial baby](https://i.ytimg.com/vi/vVINA3_KHyU/maxresdefault.jpg)
I tried to get him down to my reading because I wanted to try to do an acoustic version of 'Psychosocial Baby' together. "I was in Baltimore on my book tour and Justin was nearby in Washington D.C. Slipknot's masked frontman has admitted he's actually quite a fan of Beiber and was eager for them to meet up when he discover their respective work committments meant they were close by. They also add perspective to the now much-debated question about whether pop will eat itself: mashups move forward by reinventing the past, finding the new in the old, and announcing it with gusto and irony.The comment follows a fan's YouTube mash-up of Slipknot's 'Psychosocial' and Bieber's 'Baby' to create 'Psychosocial Baby'.
![slipknot psychosocial baby slipknot psychosocial baby](https://i1.sndcdn.com/avatars-000221943513-ks88m4-t500x500.jpg)
![slipknot psychosocial baby slipknot psychosocial baby](https://billy7neptune.files.wordpress.com/2011/04/jb.jpg)
Mashups contest traditional notions of creativity and copyright ownership. As a point of departure, it analyzes “Psychosocial Baby” (2011), in which Isosine blends Slipknot’s “Psychosocial” with Justin Bieber’s “Baby.” It argues that it is the experiential doubling of the music as simultaneously congruent (it sounds like a virtual band performing together) and incongruent (it parodically subverts socially established conventions) that produces the richness in meaning and paradoxical effects of successful mashups. This chapter explores theorizing the musical mashup and its aesthetics, and argues it is necessary to rethink authorship in the context of its production, which arguably involves both a creative and an interpretive act of appropriation.
![Slipknot psychosocial baby](https://kumkoniak.com/45.jpg)